Soprano

Career highlights have included the title role in TURANDOT for her company-debuts with the Teatro La Fenice (Venice, Italy) and the Staatsoper Hannover; the Dyer's Wife in DIE FRAU OHNE SCHATTEN for her company-debuts with the Hamburgische Staatsoper and the Aalto-Musiktheater Essen; the title role in ELEKTRA, the Dyer's Wife in DIE FRAU OHNE SCHATTEN, Regen in LEAR, and Lady Macbeth in MACBETH with Oper Frankfurt; the title role in ELEKTRA with Stockholm's Kungliga Operan and for her company-

Caroline Whisnant

"Caroline Whisnant’s… vivid phonation and her shining top notes made her a Brünnhilde of vocal brilliance which has become rather rare today."

 

 --Die Rheinpfalz

debut with Norway's Den Norske Opera; Brünnhilde in DIE WALKÜRE with Stockholm's Kungliga Operan and Sardegna's Teatro Lirico di Cagliari; the title role in ELEKTRA (European debut), Brünnhilde in DIE WALKÜRE, Brünnhilde in SIEGFRIED, Brünnhilde in GÖTTERDÄMMERUNG, the Dyer's Wife in DIE FRAU OHNE SCHATTEN, the title role in TURANDOT, and the title role in TOSCA with the Badisches Staatstheater Karlsruhe; the title role in ELEKTRA, Brünnhilde in DIE WALKÜRE, Brünnhilde in SIEGFRIED, Brünnhilde in GÖTTERDÄMMERUNG, the Dyer's Wife in DIE FRAU OHNE SCHATTEN, Ariadne in ARIADNE AUF NAXOS, the title role in Cherubini's MÉDÉE, the title role in a new production of TURANDOT, the title role in TOSCA, Ortrud in LOHENGRIN, Senta in DER FLIEGENDE HOLLÄNDER, Leonore in FIDELIO, Elisabeth in TANNHÄUSER, the title role in ANNA BOLENA (concert), Brünnhilde in DER RING AN EINEM ABEND VON LORIOT, Agathe in DER FREISCHÜTZ (concert), and Gertrud in HÄNSEL UND GRETEL with the Nationaltheater Mannheim; the title role in NORMA with the Teatro Colon de Bogotá and Des Moines Metro Opera; the title role in TURANDOT with the Teatro Municipal de Santiago de Chile, the Teatro Colon de Bogotá, Portland Opera, Dallas Opera (student performances), and Kentucky Opera; the title role in ARIADNE AUF NAXOS with England's Broomhill Festival, Arizona Opera, and Lyric Opera of Kansas City; the title role in TOSCA with Opera Memphis; the title role in SUOR ANGELICA with Nevada Opera; Leonore in FIDELIO, the title role in VANESSA, Leonora in IL TROVATORE, and Donna Elvira in DON GIOVANNI with Des Moines Metro Opera; Desdemona in OTELLO with Baltimore Opera; Santuzza in CAVALLERIA RUSTICANA, Maddalena de Coigny in ANDREA CHÉNIER, and Donna Elvira in DON GIOVANNI with Lyric Opera of Kansas City; Madame Lidoine in LES DIALOGUES DES CARMÉLITES with Tulsa Opera; and Rosalinde in DIE FLEDERMAUS with Kentucky Opera. Concert highlights have included BEETHOVEN'S NINTH SYMPHONY with the Orquesta Filarmónica de Bogotá.

 

"All I've Ever Known"
Approaching Ali:

Artist's website: carolinewhisnant.com

Randsman Artists Management

400 West 43rd Street Apt. # 18E

New York, NY 10036

email: randsman@aol.com

Office: 212-244-5874

Mobile: 917-494-6654