"All I've Ever Known"
"When Todd's crystalline soprano rips into a politically charged aria, it's like she's grabbing each individual in the audience by the shoulders and giving them a good shake."
--Dominic P. Papatola, Pioneer Press
"But the energy in the Ordway spikes when Helen Todd takes the stage as Mao's wife, Chiang Ch'ing. There are no bad voices in the company, but when Todd's crystalline soprano rips into a politically charged aria, it's like she's grabbing each individual in the audience by the shoulders and giving them a good shake."
Opera's Nixon in China a work writ large by
Dominic P. Papatola in the Pioneer Press
“In the title role of Lucia, the heroine who is driven to violent insanity by tragic circumstances, soprano Helen Todd sang
the ‘Mad Scene’ with thrilling dynamic range, ravishing ornamentation, perfect intonation, even in chromatic scales, and terrifying emotional intensity.”
"Ruders has placed Aunt Lydia... in a long line of hysterical, sexually repressed operatic women who sing in the glass-shattering range of the Queen of the Night. Helen Todd did a superb job, her eyes gleaming with a fanaticism that was truly scary."
The Handmaid's Tale at Canadian Opera Company; National Post
“Soprano Helen Todd sang the pivotal role of Curley’s Wife. Todd had the strength and resilience to weather Floyd’s difficult part and convey her character’s shallowness without losing her humanity.”
The Arizona Republic
“Helen Todd’s Queen of the Night is appropriately fierce as the evil mom, and her two big arias were stunningly sung in a voice that on opening night was crystalline in timbre and remarkably controlled.”
DURING THE 2012/13 SEASON HELEN TODD RETURNED TO MINNESOTA OPERA SINGING THE TITLE ROLE IN OF TURANDOT IN A NEW PRODUCTION OF TURANDOT.
Soprano Helen Todd is known for her intense portrayals of tragic characters. She has entered an era of preparing new repertoire in the spinto and dramatic soprano realm. Her first role in this new repertoire was Turandot, which she recently covered at Pittsburgh Opera and performed at DuPage Opera Theatre in Chicago. She has also added Cio-Cio San from Madama Butterfly to her roles, having performed it with Sugar Creek Symphony & Song under the baton of Joseph Mechavich and in concert with Wooster Symphony.
Ms. Todd began her career in the lyric coloratura repertoire and began to achieve national recognition with her portrayal of Violetta in La Traviata with Minnesota Opera (the English National Opera / Jonathan Miller production). Also with Minnesota Opera, under the baton of Maestro Richard Bonynge, Ms. Todd sang Queen of the Night in Die Zauberflöte.
Ms. Todd debuted with Canadian Opera Company in the Canadian premiere of THE HANDMAID'S TALE as Aunt Lydia by composer Poul Ruders. This debut occurred after the acclaimed North American premiere of THE HANDMAID'S TALE at Minnesota Opera where Ms. Todd debuted the role of Aunt Lydia as well. Also at Minnesota Opera, Ms. Todd debuted the role of Madame Mao in NIXON IN CHINA. Other notable engagements include Queen of the Night in Die Zauberflöte with New York City Opera, Cleveland Opera, Arizona Opera, Tulsa Opera, Nevada Opera, Opera North, and the Colorado Opera Festival; Gilda in Rigoletto with Calgary Opera (her Canadian debut), Annapolis Opera, and Cedar Rapids Opera Theatre; Fiordiligi in Cosí Fan Tutte with Arizona Opera, Nedda in Pagliacci with Sugar Creek Symphony & Song and the title role in Lucia di Lammermoor with Opera Illinois and Gold Coast Opera.
A lover of 20th century music, Ms. Todd also performed the role of Curley's Wife in Of Mice and Men with Cleveland Opera (conducted by Anton Coppola) and Arizona Opera, Marie in the North American premiere of Gurlitt's Wozzeck with California's Long Beach Opera, the role of Susannah with Opera North and Alexandra in Regina with Baltimore Opera. Other engagements throughout her career include: Violetta in La Traviata with Asheville Lyric Opera, Fiorilla in Rossini's Il Turco in Italia with Cleveland Opera; Violetta in La Traviata with New Jersey's Bohème Opera Company; Mimi in La Bohème with Asheville Lyric Opera and the Wildwood Festival of Music and the Arts; Marguérite in Faust with Mississippi Opera; Juliette in Roméo et Juliette with Shreveport Opera; Susanna in Le Nozze di Figaro with Connecticut Opera, Abilene Opera and Wildwood Festival of Music and the Arts; Musetta in La Bohème with Indianapolis Opera; Pamina in The Magic Flute, Despina in Cosí fan Tutte, and Anne Egerman in A Little Night Music with the Wildwood Festival of Music and the Arts. Other lighter operetta performances include Mabel in The Pirates of Penzance with Mobile Opera; Julie Jordan in Carousel with Opera Illinois, Wanda in a semi-staged production of The Grand Duchess of Geraldstein with the OK Mozart Festival and Clorinda in a semi-staged production of La Cenerentola with the OK Mozart Festival conducted by Ransom Wilson.
Ms. Todd is also an opera producer and founder of the Sugar Creek Symphony & Song Festival which is entering it's 11th season and is a member of Opera America. Occasional past performances at Sugar Creek include Juliette in Romeo & Juliette, Violetta in La Traviata and Mimi in La Bohème.
Concert highlights have included Beethoven's 9th Symphony with Springfield Symphony, Carmina Burana with Peoria Symphony, Mozart's Mass in C Minor with the Detroit Oratorio Society; Darius Milhaud's Chanson De Ronsard with Cincinnati's College-Conservatory of Music Concert Orchestra; Carmina Burana with the Elmhurst Symphony; and A Night at the Opera with the Colorado Symphony.
Helen Todd received her operatic training as a young artist with the Pittsburgh Opera Center at Duquesne where she performed the roles of Adina in L'Elisir d'Amore and Serviglia in La Clemenza di Tito. She received her Bachelor of Music in Voice Performance at DePaul University, and her Master of Music in Voice Performance at the University of Cincinnati College-Conservatory of Music under the tutelage of the Patricia Berlin; performance highlights in Cincinnati included Cunegonde in Candide.
Numerous awards have included first place in the Houston Opera Studio Eleanor McCullom Auditions, first place in the Corbett / Treigle Opera Scholarship Competition, and first place in the Bel Canto Competition. Ms. Todd was a regional winner of the Metropolitan Opera Competition and a winner of the Liederkranz Foundation Awards in New York City.